Guy Debord and the Return to Normalcy

A not-so-recent article in the New York Times by Clive Thompson (Web Ushers in an Age of Ambient Intimacy) discusses how new media like Facebook and Twitter have given us an “ambient awareness.” The multiple and often mundane updates we publish online provide us with “a surprisingly sophisticated portrait of our friends' and family members' lives, like thousands of dots making a pointillist painting.” It is remarkable that we can be so intimately aware of the daily lives of any of hundreds of friends, family, and acquaintances that may be scattered over the globe, and it is very reminiscent of Marshall McLuhan's observation that electric technology involves "the family of man in the cohesive state of village living."

In fact, one of Thompson’s sources for his article described Facebook in this same way:

It's just like living in a village, where it's actually hard to lie because everybody knows the truth already," Tufekci said. "The current generation is never unconnected. They're never losing touch with their friends. So we're going back to a more normal place, historically. If you look at human history, the idea that you would drift through life, going from new relation to new relation, that's very new. It's just the 20th century."

So, in the broad sweep of history, we are finally returning to normalcy. Yet clearly, we are living in an entirely different environment. There is a qualitative difference between meeting your fellow village-folk at the well and discussing the events of the day and sitting in front of your computer or on your handheld of choice and being confronted with a list of updates. Twitter and the Facebook news feed both embody an evolution of our news media more than any other medium (it’s called a news feed). From the village herald to the newspaper to television news networks to electronic newspapers to Twitter, news has reversed from its pattern of broader and broader coverage to about as personal as it can get.

Yet is this really a return to normalcy? Guy Debord, a noted French social critic, wrote his esoteric critique of the technological society in The Society of the Spectacle. He claimed that the Spectacle—described variously as “a social relationship between people that is mediated by images,” “a worldview transformed into an objective force,” and the “chief product of modern day society”—is the preeminent factor organizing society today. It manifests itself in the content of news, propaganda, advertising, entertainment, and in the forms of the mass media and technology. Debord noted that though our technology may unite us, it “unites only in its separateness,” as he saw it reinforcing the isolation of the lonely crowd.

The question is then, does his critique stand? Tufekci says that we are returning to normalcy in our social interactions while Debord says that everywhere he looks he sees the same intent: “to restructure society without community.” There seems to be truth in the fact that our online personas require a little more personal consistency in as much as they disallow us from really leaving behind any social group. On the other hand, though our news media have reversed into the personal village gossip, we are involved in the village only as long as we sit in front of our computers.


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